Polyptych comprises two musical studies on the synthesizers: Behringer RD9 and JUNO-60, and the performer playing them.

 

Bound within a visual composition defined by a video projection utilized primarily as lighting, the works unfold across a changing spatial framing.

In both musical studies, the performer engages in

intimate and somewhat perverse anthropomorphic

interactions with the machines.

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[Written for Nikolaus Bemberg]